RSVP : https://partiful.com/e/YlE8zIjCJ6Znlp9sTvpZ
Saturday March 7th
7:00pm | $12 -via venmo
Join us for an evening of folk singer songwriters.
Blair Borax:
Born on the East Coast, and home to the West, Blair Borax’s relationship with music began unexpectedly in 2016, when a friend gifted her a cheap guitar. Since then, Borax has become a prolific songwriter, recording artist, and performer, known for her distinctive voice, captivating melodies, and thoughtful songwriting that taps into the heart of being human.
Since she quit her day job in 2022, she has released three full length albums and played over 350 shows across the country.
Her third full length record, The Color Green (2025) is a collection of ten songs, searching for hope in dystopian times.
Blending intimate storytelling, gorgeous melodies, and rich instrumentation, The Color Green wanders through growing up, falling in love, missing home, watching parents get old, thinking about life and death, and slowing down to savor all of it.
Fans of Adrianne Lenker, Hannah Cohen, and Angie McMahon may find something to love in her music.
https://blairborax.bandcamp.com/album/the-color-green
Where's Beth:
Where’s Beth is the alt folk project of songwriter Sarabeth Weszely. Voice and lyrics clear as glass, her music carries the kind of honesty that makes a room go still. Raised in the Midwest and trained as a writer, Weszely brings a literary sensibility to her songs, shaped by close observation and restraint. She lived seven years in New York City, where she recorded for my mom & other lovers (2022) and Bone Broth (2024).
These early releases introduced her devotion to shared domestic spaces and the emotional textures of the mundane.
Her sophomore album Ache Is A Cricket In The Night continues this exploration of everyday life but widens its emotional landscape.
Across its songs, Weszely writes in tiny weather systems: a fridge that stops humming, a clogged drain gurgling like human pain, strangers pointing out untied shoes in the grocery line, white ants burrowing through wood at dusk.
These images widen into reflections on grief, anger, the quiet accumulation of loss, and the ordinary ache of being alive.
Recorded live in Weszely’s Seattle home studio, Ache Is A Cricket In The Night trusts presence over perfection. It does not rush toward resolution but stays, listens, offering itself as a companion and trusting that even the smallest details can hold entire emotional worlds.